I show that a false historical object is a result of the loss of material/physical contact with the historical source and that it attempts to substitute the document. Summary/Abstract: In this article I describe the phenomenon of the false historical object in Holocaust research by analyzing the three Polish editions of Rutka Laskier’s diary (with particular attention paid to the latest one). Published by: Stowarzyszenie Centrum Badań nad Zagładą Żydów & IFiS PAN Keywords: diary pop culture materiality retromania memory conflict Będzin Subject(s): Jewish studies, Fiction, Studies in violence and power, Victimology, History of the Holocaust “Oh, to Fly Where There Is No Ghetto, or Workshops…” Rutka Laskier’s Diary Between Necroesthetics and Necropolitics Author(s): Marta Tomczok „Polecieć tam, gdzie nie ma getta, szopu…” Dziennik Rutki Laskier między nekroestetyką a nekropolityką
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |